Reviewed by Kate O'Sullivan
Empty Seat Theatre’s The Astonishing Comet Boombox is a witty, tech-infused comedy that offers a fresh take on influencer culture and our evolving relationship with artificial intelligence. At the heart of the show is Retro (played by the engaging Ruby Duncan), who gains internet fame thanks to her unique connection with an AI-powered boombox, Comet. Not quite the classic 80s relic, Comet is more of a late-90s iteration, adding a nostalgic yet modern edge to the story.
The script is undeniably strong—innovative, engaging, and cleverly structured. Duncan delivers an entertaining and well-timed performance, her comedic instincts shining through in her interactions with Comet. The seamless rhythm between her live delivery and the integrated tech is impressive, with sharp vocal transitions between her natural voice and Comet’s more automated responses. Given that every “duo” scene is essentially performed between Duncan and an inanimate object, her ability to maintain momentum and chemistry is commendable.
While the show is already tight, there is room for further refinement. The final scene, while thought-provoking in its own way, feels somewhat detached from the rest of the narrative and could benefit from a more organic integration. Additionally, the ‘interview’ sequence, while impactful, runs the risk of becoming repetitive and could be condensed for greater effect.
The production elements are well executed. Costume changes effectively signify the passage of time, though a brief exit between changes might have provided a smoother transition than the on-stage switches. The staging is thoughtfully designed, with the space and lighting (especially in terms of colour) used effectively to enhance the storytelling.
Overall, The Astonishing Comet Boombox is a smart and enjoyable production, driven by a compelling script and a strong central performance. With a few tweaks, it could become even more polished, but as it stands, it’s an entertaining and insightful piece of theatre that offers both humour and commentary on our tech-driven world.
Reviewer Note: Tickets for this review were provided by the theatre company.
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