Reviewed by Kate O'Sullivan
Andre Victor’s adaptation of The Simple Gift delivers a tight and compelling 50-minute production, and it’s easy to see why it earned recognition at the recent Finley Awards. The story beats are well-considered, maintaining a strong narrative drive despite the inevitable challenges of condensing a novel. While some content has been trimmed, the adaptation ensures that the heart of the story remains intact.
Characterisation is a clear strength of this production. The actors, having spent significant time with their roles, bring depth and clarity to their performances that enhance the emotional impact. The thoughtful direction is evident in the effective use of the full width of the Hayman stage, balancing spatial awareness with the intimacy necessary for such a personal story. Lighting and colour are used skillfully to establish location and support the narrative’s shifting moods.
Costuming was another well-executed element. The choice of simple, all-black outfits was particularly effective, especially in the early transitions between Father and Ernie before we arrived at Old Bill (all well and distinctly performed by Benjamin Small). These changes were seamless and well-handled. However, the introduction of white shirts at the end, while a clear visual marker, felt somewhat unnecessary—the strength of the performances and storytelling stood on their own without the need for this additional visual cue.
That said, a couple of technical aspects could be refined. Intimate theatre always runs the risk of mumbling, and at times, some of Billy’s (Harry McGuire) lines were lost due to speed and diction. While not a constant issue, these moments did affect the clarity of the storytelling. Additionally, given the use of small pools of atmospheric lighting, some actors occasionally stepped out of their light. While certain moments were clearly intentional, others seemed accidental and could be tightened with further spatial awareness.
Overall, The Simple Gift is a well-crafted and engaging production, marked by strong performances, effective design choices, and a thoughtful directorial vision.
Reviewer Note: Kate has previously worked with Andre Victor and Benjamin Small, at Roleystone Theatre. She has also previously performed in the Hayman Theatre. Tickets for this review were provided by the theatre company.
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